Artist Nicole Sleeth in her Chinatown studio with a group of her painting in the background. Don Denton photography

Artist Nicole Sleeth in her Chinatown studio with a group of her painting in the background. Don Denton photography

Artist Nicole Sleeth Paints the Figure

Challenging the viewer with her paintings of women

  • Sep. 28, 2018 8:45 a.m.

– Angela Cowan Story

Story courtesy of Boulevard Magazine, a Black Press Media publication

Like Boulevard Magazine on Facebook and follow them on Instagram

After climbing several sets of narrow stairs and finding myself at the industrial-style door to painter Nicole Sleeth’s Fisgard Street studio — marked only by a small business card — I’m not sure what to expect.

Having been in a few artist studio spaces in Chinatown, I’ve found that they all have their own personalities and quirks.

Nicole opens the door and ushers me in with a warm hello and an easy smile, her dog Poppy running to greet me as well. I decide the space fits her. It’s bright and open, inspiring yet uncluttered, with a dozen or so stunning canvases displayed along one long wall. The painted grey wooden floors and pale walls provide no distraction from her art.

“I love my space,” she says, mentioning she’s only been here a few years. “I feel so fortunate to have found it. The size is incredible. I’ve never had this much space before.”

The larger than life works that line the studio are from her current and ongoing series Gaze, and the women portrayed, who stare out at the world through their painted eyes wearing just their skin, demand a focus unto themselves.

It’s hard to shift my attention back, but Nicole offers me a seat and we start getting to know each other.

Born in Kingston, Ontario, she started painting as a hobby in 1998, and studied in a traditional art atelier fashion with Ottawa artist Bob Grant for eight years before continuing on her own. It wasn’t until 2011, when she was living in Vancouver, that she began painting and teaching full time, after an unexpected but ultimately fortuitous turn in her career.

“I got laid off from my job,” she laughs. She’d been working at an art gallery, and with her newfound freedom, decided to start teaching to help make ends meet while she explored her own art. Within just a few short months of teaching at community centres, word spread and her classes grew large enough that she could move into her own studio.

“It took the pressure off of having to sell my art,” she adds.

Three years later she made the move to Victoria and began offering classes here as well, with great success. Her weekly instruction welcomes everyone, regardless of experience (or lack thereof), and focuses on drawing and painting with a classical approach.

It was also in 2014 that she began her Gaze series after her first workshop at the New York Academy of Art.

“I did a particularly impactful workshop with Alyssa Monks, who is one of my most favourite artists,” says Nicole.

Inspired, she started creating “large scale depictions of nude women who engage and actively challenge the viewer.”

Each canvas stands independently, the women therein relaxing in poses of their own choosing. Their feet are firmly planted beneath them and their gazes turned unflinchingly on the viewer. Some seem to have a hint of defiance, others a calmness. All are grounded and clearly comfortable in their own skin.

“I’m trying to keep it honest and genuine,” she says. “It’s not for the viewer’s benefit.”

Artist Nicole Sleeth in her studio with a current painting. Don Denton photography

The series grew from both her passion for realism and a frustration at how women and their bodies are nearly always treated in media and art.

Always a certain body type, a certain age and a certain demographic. Often with faces turned away or with only select body parts highlighted, it all speaks to a focus on giving the viewer the chance to look, and look as long as they want.

“There’s no accountability,” says Nicole. “I just get tired of that, of certain body parts being more valuable than others. As a society, at least in this part of the world, I think we are too comfortable with voicing our approval or disapproval of women, particularly their appearance.”

Nicole’s works step away from that, existing in their own right as honest portrayals of women.

Her work captures the spark of life in her models’ eyes, the textures of their skin, the humanity in their hands.

But step closer, and you also become viscerally aware that they have been intentionally created. Their edges soften into swirls and brushstrokes until it all deconstructs into light and shadow and pigment. That relationship between paint as an inert substance and something that can bring life to a canvas is something that fascinates Nicole. Though she works in realism, she strives to marry that with an awareness that each piece is still something that’s been created.

“Not photographic. Not strictly duplicating reality, but enhancing it,” she says.

Her style and technique have been evolving over the last three years within the Gaze series.

“I am more careful with my first pass, more thoughtful,” she says. “I try to allow some movement too, to allow some edges to soften or disappear, and others to stand out. A huge thing I’ve found is having their feet planted makes the models feel and appear more grounded.”

And while she’s been involved in dozens of shows in the past, and says she’d eventually like to have a show with Gaze, there are no immediate plans for anything formal.

Without the pressure of trying to make all the pieces fit together, “I can have each painting be the best painting it can be,” she says.

In a way, her relationship with the art itself mirrors what she’s depicting in her portraits: no demands, just fluidity and an honest acceptance for what is. She has given agency not only to her models, but to the work itself, and her passion comes shining through again and again right to the end of our conversation.

“I like painting skin, I like painting women’s bodies,” she says, her hands moving as she talks. “I love the way people look. I think it’s fascinating, and I would love to see more curiosity about it. There’s just so much variation.”

“There’s no judgment. This is just a body,” she says. “This is a person.”

ArtartistArts and cultureBoulevard MagazineCanadian artCultureFemale gazeFigure studyNicole SleethPaintervancouverisland

Get local stories you won't find anywhere else right to your inbox.
Sign up here

 

Artist Nicole Sleeth Paints the Figure

Just Posted

Interior Health reported 79 new cases of COVID-19 and two new death in the region Friday, Jan. 22, 2021. (Ben Hohenstatt/Juneau Empire)
79 new COVID-19 cases, two deaths reported in Interior Health

Both of Friday’s deaths were both recorded at long-term care homes

Interior Health reported 91 new COVID-19 cases in the region Jan. 20, 2021 and three additional deaths. (Jennifer Smith - Morning Star)
95 new COVID-19 cases in Interior Health, two deaths

Another member of Vernon’s Noric House has passed

The Coldest Night of the Year event will raise money for the local Getting to Home program. Walk virtually or in-person on Feb. 20 – there’s a place for everyone! Photo: Trail Times
Be part of Coldest Night of the Year; be part of a solution for Trail

Proceeds from the Feb. 20 fundraiser will be directed into Getting to Home

KBFR
Driver taken to hospital after hitting ditch near Genelle

Kootenay Boundary first responders attend single vehicle accident, RCMP investigate

Ron Clarke has his MBA and is owner of JBS Business Services in Trail, providing accounting and tax services.
COVID-19: How do you spell retirement?

Here’s a resolution some business owners may have made a few weeks ago, “I aspire to retire.”

Thursday, Jan. 28, 2021 is International Lego Day. (Jenna Hauck/ Chilliwack Progress)
Unofficial holidays: Here’s what people are celebrating for the week of Jan. 24 to 30

Lego Day, Talk Like a Grizzled Prospector Day and Puzzle Day are all coming up this week

BC Coroners Service is currently investigating a death at Canoe Cove Marina and Boatyard in North Saanich. (Black Press Media File)
Drowning death in North Saanich likely B.C.’s first in for 2021

Investigation into suspected drowning Monday night continues

Sunnybank in Oliver. (Google Maps)
Sunnybank long-term care in Oliver reports third COVID-19 death

The facility currently has an outbreak with 35 cases attached to it

Chief Public Health Officer Theresa Tam speaks during a daily briefing in Ottawa. (THE CANADIAN PRESS/Adrian Wyld)
31 cases of COVID-19 variants detected in Canada: Health officials

Dr. Theresa Tam made announces 13 more variant COVID-19 cases in Canada

Royal Inland Hospital in Kamloops. (Dave Eagles/Kamloops This Week file photo)
COVID-19 outbreak declared at Kamloops’ Royal Inland Hospital surgical unit

Despite 6 South being a surgical unit, RIH said surgeries are continuing at the hospital

Daily COVID-19 cases reported to each B.C. health region, to Jan. 20, 2021. Island Health in blue, Northern Health green, Interior Health orange, Vancouver Coastal in red and Fraser Health in purple. (B.C. Centre for Disease Control)
B.C.’s COVID-19 infection rate stays stable with 508 cases Friday

Vaccine delivered to more than 110,000 high-risk people

Volunteer firefighters from Grand Forks Fire/Rescue head towards the scene of fatal car crash near Gibbs Creek Road, below Highway 3, Thursday evening, Jan. 21. Photo: Laurie Tritschler
Motorist dies in Highway 3 crash west of Grand Forks

City first responders were called to the scene Thursday evening, Jan. 21

Vancouver Giants defenceman Bowen Byram could be playing for Colorado when the NHL resumes play. (Rik Fedyck/file)
Cranbrook product Bowen Byram makes NHL debut with Avalanche

Highly touted prospect marks first pro game following World Junior tournament in Alberta

The District of Saanich’s communications team decided to take part in a viral trend on Thursday and photoshopped U.S. Senator Bernie Sanders into a staff meeting photo. (District of Saanich/Twitter)
Bernie Sanders makes guest appearance municipal staff meeting in B.C.

Vancouver Island firefighters jump on viral trend of photoshopped U.S. senator

Most Read